Shift lens — where it appears
Named by 3 essays across 3 fields — each of them below, with the objects they name alongside it.
The principal point is not the centre
Every textbook that computes a focal length from two vanishing points supplies the middle of the frame as the principal point. On a shifted or cropped picture that is wrong, and it costs one and a half per cent of the answer at a fifth of a frame's shift.
Along a line of constant depth the page is affine
Stepping a texture by a constant amount per pixel is wrong across a receding floor and exactly right along any line of it that stays at one depth — and on every plane those lines run parallel to its own vanishing line. Turn a 120 px span 1° away from that direction and it is 0.79 px out; roll the camera a hundredth of a degree and a floor drawn to 30 m is out by 0.69 px on its worst scanline.
The centre of the picture is not the centre of the paper
A crop translates the image rectangle, so the picture's optical centre leaves the middle of the sheet and the focal length does not move — 81.3 pixels apart at a fifth of the picture, with the horizon at 62.5 per cent of the print. A reader who takes the paper's middle for the picture's stands 2.36 cm out of position, which is 4.9 degrees of the wrong direction.
Named alongside it
The objects these essays reach for when they reach for this one.
Principal pointFocal lengthHorizonPicture planeVanishing pointCrop factorDepth divisionForeshorteningHomogeneous coordinatesPrincipal rayProjective invariantStation point