Relative pose — where it appears
Named by 6 essays across 3 fields — each of them below, with the objects they name alongside it.
A chain and an adjustment
Composing pairwise poses along a sequence is supposed to drift. Measured over five links it wanders instead — one chain ends closer to the truth than its own worst link — and the real cost of chaining turns out to be something else entirely.
Four cameras fit, and one of them can see
The essential matrix does not determine a camera pair. It determines four, all of which reproject every correspondence exactly, and the thing that picks one is not more algebra — it is the assumption that the photographer could see what was photographed.
Two views give shape and no size
Every pairwise distance ratio in a courtyard recovered from two photographs matches the real one to fourteen digits. The courtyard's actual size is not merely uncertain — it is absent, and a reconstruction three and a half times larger fits the same two pictures exactly as well.
Raise the gaze, and the line is gone
Turn two eyes 20° aside in the plane they share and the horopter keeps its vertical line — but the line stays in the median plane, 1.277 m ahead, not at the point being looked at. Raise the gaze as well and the rule by which each eye rolls decides the rest: Helmholtz's rule keeps a line; Listing's law and Fick's rule make the eyes' relative motion slide 3.93 mm and 7.09 mm along its axis, no point stays put, and the horopter becomes one curve.
A scale chain leans rather than wanders
A camera driven 200 m along a street, each pair's scale handed to the next through the points they share. Across sixteen streets the scale does not spread the way a random walk would — 7.3 per cent after 199 links, where independent ties would give 108 — and its average leans by an amount the choice of average decides, from +28.6 per cent to −12.2.
A sliding pair keeps its line only near the middle
Two eyes that roll by Listing's law lose the horopter's straight line as soon as they look up and aside, and the question worth a number is whether they lose it by much. Measured along the line they nearly keep, the disparity is exactly the slide seen by one eye — 3.20 px at 20° aside and 20° up, a metre and a bit away — and the slide does not shrink with distance. At arm's length the line survives to within a pixel only in a narrow cross through the middle of the field.
Named alongside it
The objects these essays reach for when they reach for this one.
BaselineBinocular disparityCorrespondenceDegeneracyDriftHoropterrandom walkreconstruction ambiguityscale ambiguityStereo pairTriangulationVergence