True scale — where it appears
Named by 6 essays across 3 fields — each of them below, with the objects they name alongside it.
An anamorph at true size, on paper
An anamorph is the shadow of the intended picture, cast from the reader’s own eye. Every claim about a figure on a screen is quoted against an assumed display width, because nobody can know how wide a screen shows it; this one is not, because it ships a sheet in millimetres and states where to put an eye.
A grid stops a copy drifting
A figure copied by hand from the last copy drifts as a random walk, by the square root of the copies. Copied on a ruled grid, with each landmark brought back to a line, it does not drift at all, because rounding throws the error away. That is how a correcting code works. It holds only below a sharp threshold on the hand, and the grid's size is the trade between how much it corrects and how much it can say.
A grid on the wall is a scale without a projection
An Egyptian canon rules a wall into squares and counts a figure's height against the ruling — no horizon, no centre, and a length recovered to 1.4e-14% of error where the same reading taken off a pinhole misses by 58%. Applied instead to a pinhole picture, the furthest of six equal figures reads at 19% of its true height.
No view draws a curved plate true
The auxiliary view is descriptive geometry's answer to a foreshortened plane — turn until the plane is parallel to the paper and it draws at true shape. A bent plate has no such direction and a dished one has none twice over: the best view of the first is out by 1 − cos w and the best of the second by 1 − cos²w, worse by exactly 1 + cos w, because its normals need two parameters rather than one.
The drawing and the development
A bent plate gets two flat pictures on the same sheet and each is exact in what the other loses. The parallel drawing keeps the generators at one scale and stretches the arc over a factor; the development keeps every length on the surface and keeps nothing of the shape in space. Neither is the plate and the pair of them is.
A drawn fold has a phantom
A Necker cube has two readings and so does a drawn fold, and the fold's second reading is not the supplement of the first. The drawing fixes each plate edge's component in the picture and leaves its component along the ray free up to a sign; a reflection identifies two of the four sign pairs, so there are exactly two plates — and a hundred-degree fold reads as eighty-seven as well.
Named alongside it
The objects these essays reach for when they reach for this one.
Drawing systemDemonstrationOrthographicCanon of proportionCountingDevelopable surfaceDevelopmentDrawing conventionForeshorteningGaussian curvatureAnamorphosisArea scale