Similarity — where it appears
The track and the scene together
Six photographs go in and one hundred and sixty-eight numbers come out — every camera's position and orientation and every point's place in space, solved for at once. Nothing in the solve was ever told where a camera or a point was.
Seven numbers no picture can name
Shift a whole reconstruction by a metre and a half, turn it half a radian, scale it by 2.7, and every photograph of it stays where it was to a hundredth of a billionth of a pixel. Move one point by fifty millimetres and they move by two thirds of a pixel.
The one thing a single view cannot give
Make the world a hundred and thirty-seven times larger and move the eye a hundred and thirty-seven times further away, and the picture does not change by a measurable amount. Every ratio in a scene is recoverable from one photograph and no size is, and that is not a caveat about the method — it is the shape of the method.
Two views give shape and no size
Every pairwise distance ratio in a courtyard recovered from two photographs matches the real one to fourteen digits. The courtyard's actual size is not merely uncertain — it is absent, and a reconstruction three and a half times larger fits the same two pictures exactly as well.
Named alongside it
The objects these essays reach for when they reach for this one.
bundle adjustmentgauge freedomJacobianreconstruction ambiguityReference lengthscale ambiguityTriangulationBaselinecamera trackCorrespondenceDemonstrationFocal length