Roughness — where it appears
Named by 3 essays across one field — each of them below, with the objects they name alongside it.
One hand step each
Every classical perspective construction has exactly one step a person performs by hand, and the four constructions perform four different steps. That single difference decides everything a finished drawing can say about its maker, because the answers are identical and only the mistakes are not.
Stepped, or measured from the zero
The same hand at the same precision, laying the same braccia off two ways — dividers walked from the last mark accumulate and grow as the square root of the count, while marks set from a common origin do not accumulate at all. The difference is not which method was used — it is where the zero is, and only the second is recorded in the drawing.
What a panel says about its maker
The reading assembled over this row, run against every procedure sixty times and scored — with the failures reported as carefully as the successes, because three of the five rows are refusals. A drawing names the class of error in it, not the recipe that produced it, and one procedure it never names at all.
Named alongside it
The objects these essays reach for when they reach for this one.
Error termProcedureResidualAttributionIdentifiabilityMeasuring pointrandom walkTransversalAsymptoticsConfusion matrixcostruzione legittimaDistance point