Series

Uncertainty — the series

3 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. 2.7:13.1:14.5:15.8:17.2:1in plan; ellipses at 8σworst 7.2:1

    The answer is an ellipse

    A mark read with a round error does not come back as a round region on the ground. The ray is grazing, so a pixel across the picture is worth a little and a pixel up it is worth a great deal, and the recovered point's uncertainty is an ellipse pointing at the camera — 5.07 to 1 at eight metres from a camera 1.62 m up, which is the depth over the height. Propagated and sampled agree to 0.5 per cent, and a ray that is not grazing gives a disc.

    part 1 · metrology
  2. near and short3.68%0.5 m, 126 pxnear and long2.84%4.0 m, 1088 pxat the unknown's depth3.95%1.4 m, 154 pxfar and long8.36%5.2 m, 241 pxthe spread of the answer, per candidateshorter is better

    Which reference to measure from

    Given four candidate scale bars in one photograph, the best is not the longest and not the nearest — it is the longest in the picture. A five-point-two metre bar near the horizon is the longest thing in the scene and the worst reference in it; a four metre bar close to the camera is the best. Walk one bar outward and the term it controls falls as one over its length in pixels, with a fitted exponent of −1.08.

    part 2 · metrology
  3. 0102030401234the marking error, in pixelsthe error of the answer, in per centupper curve: the closure wrong · lower: the closure exactfloor 6.0%

    The floor a better camera cannot reach

    Sweep the marking error from four pixels down to a hundredth and the measurement's error falls thirty-fold and then stops — at 6.0 per cent, which is exactly the six per cent the reference's assumed shape was wrong by. With the closure exact the same sweep keeps falling to 0.06 per cent. The crossing is at half a pixel, and it can be computed before the photograph is taken, which makes it a decision about equipment rather than a discovery about it.

    part 3 · metrology

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