Series

Epipole — the series

3 essays on one idea, from the one that introduces it to the one that assumes the rest.
  1. epipoleepipoleleft pictureright pictureepipole from 44 correspondences vs the projected eye: 1.1e-9 px2.60 m between the eyes

    The image of the other eye

    Two photographs of one courtyard, and in each of them a point that is the other camera. It is computed from forty-four matched marks and nothing else, and it lands on the projection of the other eye to about a billionth of a pixel.

    part 1 · twoviews
  2. 8 m4 m2 mepipoleone pixel costs 10 %: 19 px · 54 px · 123 px · 247 px0.5 m forward

    An epipole in the picture leaves a blind disc

    Step a camera half a metre straight forward and the image of the other eye sits in the middle of both pictures. Around it lies a disc where one pixel of reading costs a tenth of the depth or more — 20 px across a surface 2 m off, 247 px at 16 m — and at its centre no depth is recovered at any range.

    part 2 · twoviews
  3. two pictures: 206 pxthree, in a line: 92 pxthree, 5 cm sway: 83 px0.5 m between shots · 8 m away · a pixel costs 10 %centre: 29 %

    A sway gives the blind centre a depth, not a good one

    A camera driving straight forward cannot see how far away the thing it is driving toward is: the mark at the epipole does not move between pictures. Let one of three pictures sway sideways and the centre gets a depth at once — but a depth resting on the sway alone, which a pixel of reading moves by the focal length's reciprocal times the depth over the sway. For a centimetre of steering wobble at eight metres that is 144 per cent; for a tenth of the forward step, 29. The hole closes; the disc around it stays until the sway is a third of the step.

    part 3 · twoviews

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